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	<title>Comments on: Ok No Go: YouTube&#8217;s Embedding Restriction Is Bad For New Bands</title>
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	<link>http://paidcontent.org/2010/02/22/419-ok-no-go-youtubes-embedding-restriction-is-bad-for-new-bands/</link>
	<description>The economics of digital content</description>
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		<title>By: Chazzy</title>
		<link>http://paidcontent.org/2010/02/22/419-ok-no-go-youtubes-embedding-restriction-is-bad-for-new-bands/#comment-77115</link>
		<dc:creator><![CDATA[Chazzy]]></dc:creator>
		<pubDate>Mon, 31 May 2010 10:35:08 +0000</pubDate>
		<guid isPermaLink="false">http://paidcontent.wp.gostage.it/2010/02/22/419-ok-no-go-youtubes-embedding-restriction-is-bad-for-new-bands/#comment-77115</guid>
		<description><![CDATA[This new restriction has and will kill the socializing of video&#039;s.  Sure YT and now Vevo will get their views but one site can&#039;t do what 1000&#039;s could.  They should&#039;ve allowed you to embed with their ads...]]></description>
		<content:encoded><![CDATA[<p>This new restriction has and will kill the socializing of video&#8217;s.  Sure YT and now Vevo will get their views but one site can&#8217;t do what 1000&#8242;s could.  They should&#8217;ve allowed you to embed with their ads&#8230;</p>
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		<title>By: mary e</title>
		<link>http://paidcontent.org/2010/02/22/419-ok-no-go-youtubes-embedding-restriction-is-bad-for-new-bands/#comment-77114</link>
		<dc:creator><![CDATA[mary e]]></dc:creator>
		<pubDate>Thu, 25 Feb 2010 19:54:05 +0000</pubDate>
		<guid isPermaLink="false">http://paidcontent.wp.gostage.it/2010/02/22/419-ok-no-go-youtubes-embedding-restriction-is-bad-for-new-bands/#comment-77114</guid>
		<description><![CDATA[It just goes to show that wherever the big five invade music suffers, look what happened as soon as the fan driven myspace became a hunting ground for labels seeking by introducing a pay version to capitalise on the popularity of myspace which actually was young people more interested in the musical development of amateur, of the virtually unknown. The thrill is gone and because I have 4 tenagers I know they do not visit myspace no dom there peers. Beyonce used to have literally hundreds of thousands of plays on each of her songs but the other day I checked one of her songs had a pitful 5, 000. I know many industry producers, management agencies and artists who do not even log on, some for over year now,

Youtube will soon follow and if it does not get Emi off its back, trying to back engineer a model of participation that was working is a disaster, that and the spanish sentence on 5 google executives. And facebook is trying to wring cash out of teenagers supposedly contemplating charges!! food for thought, my 14 year old son, did not want myspace never signed up, guess what he is on twitter.]]></description>
		<content:encoded><![CDATA[<p>It just goes to show that wherever the big five invade music suffers, look what happened as soon as the fan driven myspace became a hunting ground for labels seeking by introducing a pay version to capitalise on the popularity of myspace which actually was young people more interested in the musical development of amateur, of the virtually unknown. The thrill is gone and because I have 4 tenagers I know they do not visit myspace no dom there peers. Beyonce used to have literally hundreds of thousands of plays on each of her songs but the other day I checked one of her songs had a pitful 5, 000. I know many industry producers, management agencies and artists who do not even log on, some for over year now,</p>
<p>Youtube will soon follow and if it does not get Emi off its back, trying to back engineer a model of participation that was working is a disaster, that and the spanish sentence on 5 google executives. And facebook is trying to wring cash out of teenagers supposedly contemplating charges!! food for thought, my 14 year old son, did not want myspace never signed up, guess what he is on twitter.</p>
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		<title>By: Jason Harper</title>
		<link>http://paidcontent.org/2010/02/22/419-ok-no-go-youtubes-embedding-restriction-is-bad-for-new-bands/#comment-77113</link>
		<dc:creator><![CDATA[Jason Harper]]></dc:creator>
		<pubDate>Mon, 22 Feb 2010 17:19:51 +0000</pubDate>
		<guid isPermaLink="false">http://paidcontent.wp.gostage.it/2010/02/22/419-ok-no-go-youtubes-embedding-restriction-is-bad-for-new-bands/#comment-77113</guid>
		<description><![CDATA[I think this story is indicative of the industry as a whole. OK Go made its name -- hell, became a PIONEER of the art of viral video -- off those early videos, in particular the treadmill vid. For EMI to deny that and also to ignore the striking fact (which Kulash shares in his Op-Ed) that the money made in restricting videos is basically nothing and even discourages overall viewing, is just more evidence of how major labels are chewing their legs off instead of working to become relevant in a new era. More of my thoughts here. http://bit.ly/chsIYG]]></description>
		<content:encoded><![CDATA[<p>I think this story is indicative of the industry as a whole. OK Go made its name &#8212; hell, became a PIONEER of the art of viral video &#8212; off those early videos, in particular the treadmill vid. For EMI to deny that and also to ignore the striking fact (which Kulash shares in his Op-Ed) that the money made in restricting videos is basically nothing and even discourages overall viewing, is just more evidence of how major labels are chewing their legs off instead of working to become relevant in a new era. More of my thoughts here. <a href="http://bit.ly/chsIYG" rel="nofollow">http://bit.ly/chsIYG</a></p>
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		<title>By: Ed Dunn</title>
		<link>http://paidcontent.org/2010/02/22/419-ok-no-go-youtubes-embedding-restriction-is-bad-for-new-bands/#comment-77112</link>
		<dc:creator><![CDATA[Ed Dunn]]></dc:creator>
		<pubDate>Mon, 22 Feb 2010 15:11:36 +0000</pubDate>
		<guid isPermaLink="false">http://paidcontent.wp.gostage.it/2010/02/22/419-ok-no-go-youtubes-embedding-restriction-is-bad-for-new-bands/#comment-77112</guid>
		<description><![CDATA[I&#039;m confused, this guy signed a paper contract with EMI who restricted his distribution on YouTube. 

However, he is complaining aboutYouTube distribution practices? What&#039;s wrong, he too scared and chicken liver to complain to EMI? ]]></description>
		<content:encoded><![CDATA[<p>I&#8217;m confused, this guy signed a paper contract with EMI who restricted his distribution on YouTube. </p>
<p>However, he is complaining aboutYouTube distribution practices? What&#8217;s wrong, he too scared and chicken liver to complain to EMI? </p>
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		<title>By: Sonya A. Willis</title>
		<link>http://paidcontent.org/2010/02/22/419-ok-no-go-youtubes-embedding-restriction-is-bad-for-new-bands/#comment-77111</link>
		<dc:creator><![CDATA[Sonya A. Willis]]></dc:creator>
		<pubDate>Mon, 22 Feb 2010 01:16:53 +0000</pubDate>
		<guid isPermaLink="false">http://paidcontent.wp.gostage.it/2010/02/22/419-ok-no-go-youtubes-embedding-restriction-is-bad-for-new-bands/#comment-77111</guid>
		<description><![CDATA[Oh please, you&#039;re making it seem like bands can no longer be played on YouTube.  Just post a link to the video on YouTube and be done with it.  Not that big a deal.]]></description>
		<content:encoded><![CDATA[<p>Oh please, you&#8217;re making it seem like bands can no longer be played on YouTube.  Just post a link to the video on YouTube and be done with it.  Not that big a deal.</p>
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