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	<title>Comments on: paidContent Book Review:  How To Fix Copyright</title>
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	<link>http://paidcontent.org/2012/01/17/419-paidcontent-book-review-how-to-fix-copyright/</link>
	<description>The economics of digital content</description>
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		<title>By: iCopyright.com</title>
		<link>http://paidcontent.org/2012/01/17/419-paidcontent-book-review-how-to-fix-copyright/#comment-87064</link>
		<dc:creator><![CDATA[iCopyright.com]]></dc:creator>
		<pubDate>Tue, 17 Jan 2012 18:53:24 +0000</pubDate>
		<guid isPermaLink="false">http://paidcontent.wp.gostage.it/2012/01/17/419-paidcontent-book-review-how-to-fix-copyright/#comment-87064</guid>
		<description><![CDATA[One of the things we have learned over the last 12 years of providing publishers with automated licensing and compliance tools for their content is that the &quot;sharing&quot; culture of the web actually increases copyright awareness and compliance. If sharing for non-commercial purposes is free or ad-supported, with cross links to instant licensing and compliance for commercial purposes, the vast majority of users will do the right thing and use the content in a way that honors the owner&#039;s copyrights. However, if the &quot;share&quot; button does not include cross-links to paid licenses, people assume the content is &quot;free&quot; for all purposes. Otherwise, why would the publisher have provided &quot;share&quot; buttons. It is typically poor messaging and implementation by the publishers themselves that leads to copyright confusion and infringement. Give people an easy and instant mechanism to share AND license the content legally and most will. ]]></description>
		<content:encoded><![CDATA[<p>One of the things we have learned over the last 12 years of providing publishers with automated licensing and compliance tools for their content is that the &#8220;sharing&#8221; culture of the web actually increases copyright awareness and compliance. If sharing for non-commercial purposes is free or ad-supported, with cross links to instant licensing and compliance for commercial purposes, the vast majority of users will do the right thing and use the content in a way that honors the owner&#8217;s copyrights. However, if the &#8220;share&#8221; button does not include cross-links to paid licenses, people assume the content is &#8220;free&#8221; for all purposes. Otherwise, why would the publisher have provided &#8220;share&#8221; buttons. It is typically poor messaging and implementation by the publishers themselves that leads to copyright confusion and infringement. Give people an easy and instant mechanism to share AND license the content legally and most will. </p>
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		<title>By: Bill Patry</title>
		<link>http://paidcontent.org/2012/01/17/419-paidcontent-book-review-how-to-fix-copyright/#comment-87063</link>
		<dc:creator><![CDATA[Bill Patry]]></dc:creator>
		<pubDate>Tue, 17 Jan 2012 01:37:57 +0000</pubDate>
		<guid isPermaLink="false">http://paidcontent.wp.gostage.it/2012/01/17/419-paidcontent-book-review-how-to-fix-copyright/#comment-87063</guid>
		<description><![CDATA[Jeff, I wanted to add a thought on your report that some content owners think I am indifferent to the economic consequences of file sharing. I am not indifferent. The very book being reviewed has itself been subject to unauthorized file sharing even though anyone can get an authorized eBook version for $9.99. That someone went to the trouble to get an authorized version for $9.99 and then make it available to the world for free illustrates that pricing is not the solution to everything, nor do I claim it is.

I am also very aware of changes in the way people interact with cultural works, with especially music, and that not all of that change is positive. Sunday I took my ten year old daughter for a klezmer clarinet lesson in Queens, about a 50 minute drive each way. We do this one a week, although she takes lessons with two other teachers who are about the same distance away from our house. The other two lessons are classical music, and we as a family buy a lot of sheet music and CDs. My daughter&#039;s clarinet teacher has two CDs out, and we love them. I was asking her if she was going to put out a third CD and she said no; it was too expensive to do, and besides, people don&#039;t really listen to music they way they used to. She said she used to make her grocery money from CD sales, and now can&#039;t. She makes most of her money (and that is not much) playing at weddings and bar mitzvahs. Other performances don&#039;t pay much. She lives in a 500 foot apartment with spare furnishings, and is a wonderful musician with an impressive classical training. She is struggling to make ends meet. I hear similar stories often, from my clarinet repair person (also in Queens) who repairs woodwinds and brass for many NYC studio and jazz sidemen (and women). I have friends who play in classical orchestras who need to work as many side jobs as they can too. Alas, cracking on file sharing is one route -- but it is not the only, and maybe not the most important for the 99%. We need to find a way to fund culture that ensures a diverse society can flourish. ]]></description>
		<content:encoded><![CDATA[<p>Jeff, I wanted to add a thought on your report that some content owners think I am indifferent to the economic consequences of file sharing. I am not indifferent. The very book being reviewed has itself been subject to unauthorized file sharing even though anyone can get an authorized eBook version for $9.99. That someone went to the trouble to get an authorized version for $9.99 and then make it available to the world for free illustrates that pricing is not the solution to everything, nor do I claim it is.</p>
<p>I am also very aware of changes in the way people interact with cultural works, with especially music, and that not all of that change is positive. Sunday I took my ten year old daughter for a klezmer clarinet lesson in Queens, about a 50 minute drive each way. We do this one a week, although she takes lessons with two other teachers who are about the same distance away from our house. The other two lessons are classical music, and we as a family buy a lot of sheet music and CDs. My daughter&#8217;s clarinet teacher has two CDs out, and we love them. I was asking her if she was going to put out a third CD and she said no; it was too expensive to do, and besides, people don&#8217;t really listen to music they way they used to. She said she used to make her grocery money from CD sales, and now can&#8217;t. She makes most of her money (and that is not much) playing at weddings and bar mitzvahs. Other performances don&#8217;t pay much. She lives in a 500 foot apartment with spare furnishings, and is a wonderful musician with an impressive classical training. She is struggling to make ends meet. I hear similar stories often, from my clarinet repair person (also in Queens) who repairs woodwinds and brass for many NYC studio and jazz sidemen (and women). I have friends who play in classical orchestras who need to work as many side jobs as they can too. Alas, cracking on file sharing is one route &#8212; but it is not the only, and maybe not the most important for the 99%. We need to find a way to fund culture that ensures a diverse society can flourish. </p>
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		<title>By: Bill Patry</title>
		<link>http://paidcontent.org/2012/01/17/419-paidcontent-book-review-how-to-fix-copyright/#comment-87062</link>
		<dc:creator><![CDATA[Bill Patry]]></dc:creator>
		<pubDate>Tue, 17 Jan 2012 01:01:02 +0000</pubDate>
		<guid isPermaLink="false">http://paidcontent.wp.gostage.it/2012/01/17/419-paidcontent-book-review-how-to-fix-copyright/#comment-87062</guid>
		<description><![CDATA[Hi David, yes, I agree that pricing for small markets may well be different depending on the costs of production. One example of this is an imported classical music CD I just bought today for a friend at about $45, a very very high price. But I loved the CD and wanted her to have it, so I paid the price. But CDs are on their way out, for better or worse (as an audiophile I happily pay extra for SCAD versions when available), and electronic versions are much cheaper to produce and sell, regardless of the size of the market.]]></description>
		<content:encoded><![CDATA[<p>Hi David, yes, I agree that pricing for small markets may well be different depending on the costs of production. One example of this is an imported classical music CD I just bought today for a friend at about $45, a very very high price. But I loved the CD and wanted her to have it, so I paid the price. But CDs are on their way out, for better or worse (as an audiophile I happily pay extra for SCAD versions when available), and electronic versions are much cheaper to produce and sell, regardless of the size of the market.</p>
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		<title>By: Kitzinger Dávid</title>
		<link>http://paidcontent.org/2012/01/17/419-paidcontent-book-review-how-to-fix-copyright/#comment-87061</link>
		<dc:creator><![CDATA[Kitzinger Dávid]]></dc:creator>
		<pubDate>Mon, 16 Jan 2012 23:25:30 +0000</pubDate>
		<guid isPermaLink="false">http://paidcontent.wp.gostage.it/2012/01/17/419-paidcontent-book-review-how-to-fix-copyright/#comment-87061</guid>
		<description><![CDATA[Without reading the detailed argument in the book it seems that Bollywood type of pricing is only an available option on huge markets. Authors and producers of small market products wouldn&#039;t be able to survive because of insufficient market size. ICT induced pricing models support the best selling few and probably subculturs of huge language communities. I live in a small country of 10 million. Moreover, in the current information noise i would not want to have everything for almost nothing. 
Anyway I have to buy this book. ]]></description>
		<content:encoded><![CDATA[<p>Without reading the detailed argument in the book it seems that Bollywood type of pricing is only an available option on huge markets. Authors and producers of small market products wouldn&#8217;t be able to survive because of insufficient market size. ICT induced pricing models support the best selling few and probably subculturs of huge language communities. I live in a small country of 10 million. Moreover, in the current information noise i would not want to have everything for almost nothing. <br />
Anyway I have to buy this book. </p>
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		<title>By: Bill Patry</title>
		<link>http://paidcontent.org/2012/01/17/419-paidcontent-book-review-how-to-fix-copyright/#comment-87060</link>
		<dc:creator><![CDATA[Bill Patry]]></dc:creator>
		<pubDate>Mon, 16 Jan 2012 22:12:51 +0000</pubDate>
		<guid isPermaLink="false">http://paidcontent.wp.gostage.it/2012/01/17/419-paidcontent-book-review-how-to-fix-copyright/#comment-87060</guid>
		<description><![CDATA[Jeff, thanks for the thorough review. I agree that forming a political strategy around a thoroughgoing copyright reform is a tough sled. Canada, for example, has been trying to make amendments for quite some time, although the UK is making some efforts in this behalf. The overall approach I think is clear: the public has to be brought in to the process and the process has to be both evidence-based and transparent. Lest one think this is pie-in-the-sky, the process that led to the passage if the 1976 Act was pretty darned good.

On one point I strongly disagree with the review: the allegation that I take occasional cheap shots at Republicans. I don&#039;t any shots at Republicans at all, nor would I want to. The book is quite complimentary of the conservative economics of Hayek and von Mises, just like Moral Panics relied heavily on Joseph Schumpeter. My economic politics lean toward these Austrian scholars rather than liberals such as Robert Reich.

Perhaps what you are thinking of is my criticism of trickle-down economics and the reduction in marginal tax rates. I am critical of these, but these criticisms are shared by across a number of sections of the political spectrum (although not all to be sure). Importantly, as you fail to note,  I point out on page 100 that Bill Clinton&#039;s approaches to these issues &quot;were no different&quot; than those of his Republican predecessors and successors and that the steepest increase in income redistribution favoring the 1% occurred during Clinton&#039;s presidency. Those who read pages 107 to 113 will see that there are no cheap shots taken against anyone, and certainly nor based on party. For the record, I am a registered Independent.]]></description>
		<content:encoded><![CDATA[<p>Jeff, thanks for the thorough review. I agree that forming a political strategy around a thoroughgoing copyright reform is a tough sled. Canada, for example, has been trying to make amendments for quite some time, although the UK is making some efforts in this behalf. The overall approach I think is clear: the public has to be brought in to the process and the process has to be both evidence-based and transparent. Lest one think this is pie-in-the-sky, the process that led to the passage if the 1976 Act was pretty darned good.</p>
<p>On one point I strongly disagree with the review: the allegation that I take occasional cheap shots at Republicans. I don&#8217;t any shots at Republicans at all, nor would I want to. The book is quite complimentary of the conservative economics of Hayek and von Mises, just like Moral Panics relied heavily on Joseph Schumpeter. My economic politics lean toward these Austrian scholars rather than liberals such as Robert Reich.</p>
<p>Perhaps what you are thinking of is my criticism of trickle-down economics and the reduction in marginal tax rates. I am critical of these, but these criticisms are shared by across a number of sections of the political spectrum (although not all to be sure). Importantly, as you fail to note,  I point out on page 100 that Bill Clinton&#8217;s approaches to these issues &#8220;were no different&#8221; than those of his Republican predecessors and successors and that the steepest increase in income redistribution favoring the 1% occurred during Clinton&#8217;s presidency. Those who read pages 107 to 113 will see that there are no cheap shots taken against anyone, and certainly nor based on party. For the record, I am a registered Independent.</p>
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