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	<title>Comments on: Netflix Gets Streaming Rights To Oscar Favorite, Other Weinstein Titles</title>
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	<link>http://paidcontent.org/2012/02/21/419-netflix-gets-streaming-rights-to-oscar-favorite-other-weinstein-titles/</link>
	<description>The economics of digital content</description>
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		<title>By: Daniel Frankel</title>
		<link>http://paidcontent.org/2012/02/21/419-netflix-gets-streaming-rights-to-oscar-favorite-other-weinstein-titles/#comment-87796</link>
		<dc:creator><![CDATA[Daniel Frankel]]></dc:creator>
		<pubDate>Tue, 21 Feb 2012 23:52:07 +0000</pubDate>
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		<description><![CDATA[Jay: Thanks for the heads-up -- I have struck through and corrected. ]]></description>
		<content:encoded><![CDATA[<p>Jay: Thanks for the heads-up &#8212; I have struck through and corrected. </p>
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		<title>By: Jay</title>
		<link>http://paidcontent.org/2012/02/21/419-netflix-gets-streaming-rights-to-oscar-favorite-other-weinstein-titles/#comment-87795</link>
		<dc:creator><![CDATA[Jay]]></dc:creator>
		<pubDate>Tue, 21 Feb 2012 20:58:16 +0000</pubDate>
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		<description><![CDATA[THE ARTIST has 10 nominations; not 17.  No film in history has ever gotten 17 nominations.  The record is a tie between ALL ABOUT EVE and TITANIC, both with 14.

Since the StarzPlay titles were rarely in correct aspect ratio, I won&#039;t miss them at all.
]]></description>
		<content:encoded><![CDATA[<p>THE ARTIST has 10 nominations; not 17.  No film in history has ever gotten 17 nominations.  The record is a tie between ALL ABOUT EVE and TITANIC, both with 14.</p>
<p>Since the StarzPlay titles were rarely in correct aspect ratio, I won&#8217;t miss them at all.</p>
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