With Kindle Serials, Amazon hopes to reinvent a format that already exists. Jeff Bezos dragged out the obligatory Dickens reference at the LA press conference, but serial fiction had a presence online before Amazon (and a presence offline after Dickens: Armistead Maupin’s “Tales of the City” and Candace Bushnell’s “Sex and the City,” for instance). The website Tuesday Serial compiles links to many online serials and offers advice about writing them. Authors like Claudia Christian and Lyn Thorne-Alder have written online serials for years. And longform journalism site and e-singles publisher Byliner launched Byliner Serials last month.
What’s new this time around is that Amazon is using a pay-once model: A user who buys the first installment in a serial automatically gets all of the others for free. Serials are being run out of Amazon’s West Coast publishing division – along with its imprints like Thomas & Mercer and 47North – while Kindle Singles are based on the East Coast.
Amazon has eight Kindle Serials for sale so far. In some cases, it’s tapping authors who’ve previously published books with Amazon Publishing. (“I got the gig because Thomas & Mercer picked my previous novel, Jewball, off the KDP self-publishing pile, and we all got along,” Neal Pollack, the author of a Kindle Serial called “Downward-Facing Death,” wrote in the book’s online forum.) Three are from a startup called Plympton. The company was cofounded by former New York Times reporter Jennifer 8 Lee and novelist Yael Goldstein Love. For the three titles, Amazon paid Plympton up front for a licensing deal that includes digital, print and audio world rights for a limited time.
Prior to the Amazon deal, Plympton had planned to pay its authors $500 an episode plus a bonus, but that changed with the deal — which was lucrative enough, Lee says, the company is “profitable, for now,” and will be able to pay those authors five-figure fees. There’s also a revenue split on serials sold. Amazon pays Plympton royalties directly, and Plympton then splits them with the author.
Kindle Singles and Kindle Direct Publishing offer authors a 70-30 royalty split in most cases. When I asked Jeff Belle, VP of Amazon Publishing, whether the split is the same for Kindle Serials, he didn’t give me a direct answer. “We are offering compelling terms, which will vary based on the proposed work,” he said.
“The third-episode problem”
Claudia Hall Christian is the author of “Denver Cereal,” a long-running online serial that is published daily in 500-word segments and gets 50,000 readers a month. Christian, who has been writing “Denver Cereal” for four years, is a bit skeptical of Kindle Serials. “I think it’s a marketing and advertising strategy,” she said. “Can the authors they’ve chosen actually write serial fiction? The problem with writing serial fiction is that it’s hard.” She hopes that Amazon will tap authors who’ve been writing in the format for a long time.
Plympton’s Goldstein Love echoed Christian’s comments that writing serials is hard. “We have really come across a lot of what we’re calling the third episode problem,” she told me. “It’s a lot easier to write a brilliant first episode of something. In your second episode, you’re continuing that. In the third episode, you realize you have no idea where this is going. It’s a real danger with writing serially. We won’t sign anyone on fully until we see how the first three [episodes] go.”
Amazon exclusives?
Amazon talked with Byliner about including its titles in the Kindle Serials launch. Byliner “had no problem with the pay-once model,” the company’s editor-in-chief Mark Bryant told me, but didn’t want to accept Amazon’s exclusivity requirement. Byliner authors “want their work to be available everywhere, in all the digital bookstores and on every device,” Bryant said. (Many Byliner e-singles are also available as Kindle Singles, but they’re not exclusive to Amazon.) Byliner will still sell individual installments of its serials in the broader Kindle store. Installments are $2.99 apiece.
Going forward, Lee isn’t sure whether Plympton and Amazon will make another deal. “We do not know what we are going to do going forward,” she told me. “But [Amazon] really cares about this format.” All eight Kindle Serials are offered at an “introductory” price of $1.99, which will rise over time, though Amazon’s Belle wouldn’t tell me by how much the increase will be. “It’s still early and we have a lot to learn,” he said. “But what we can say is that we think Serials will always be a great value for readers and a great opportunity for authors.”
Ultimately, writing a serial is a lot of work and takes more time than writing an e-single. “Downward-Facing Death” author Pollack explained a little more about the editorial process in a post for the Huffington Post:
Here’s what [my editor at Amazon] laid out: A book published in installments of 10 to 15 thousand words, over the course of a few months, with each segment ending in a moment of suspense or uncertainty. Each segment would be copy-edited, and edited for content if necessary. Then, when the whole thing was done, the book would get another complete edit, and would be issued in a full Kindle edition as well as a paperback one. The whole process would take about six months.
Further, each Kindle Serial is a flat price – with multiple episodes priced about the same as just one Kindle Single, for now. It seems that Amazon will have to invest more money in this format than it has in Kindle Singles: It has to pay authors more because they are writing more, and it either has to sell the Serials at a significantly higher price accordingly or take a loss. Since it doesn’t appear to be offering the 70/30 revenue split that it does on Kindle Singles and KDP titles, it might also have to pay authors more money up front. So Kindle Serials could be a bigger investment for Amazon than Singles have been.
Jeff Belle doesn’t doubt the pay-once strategy. “We thought this would be the best customer experience for reading a digital serial,” he told me. “in the end, if you focus on the best possible customer experience, the revenue will follow.”
Thank you for the mention!
“Jeff Belle doesn’t doubt the pay-once strategy. “We thought this would be the best customer experience for reading a digital serial,” he told me. “in the end, if you focus on the best possible customer experience, the revenue will follow.””
I love their confidence. Like a lot of serial fiction authors, I’ll watch how it goes carefully to see if it is, in fact, the best customer experience or just another way to market the same thing. Writing a book and serializing it is really, really different from writing published as it’s written serial fiction.
Selfishly, I hope it works for them and readers. The more readers who enjoy their books a week at a time, the more readers will move over to the wild and woolly world of serial fiction. <–note my confidence! ;)
Thanks for including me and writing the first real cogent article on this topic.
Reblogged this on Notes from the Underground and commented:
This is a thought-provoking article and well worth the read. I am going to be reading it seriously and taking notes on how to use this model myself in the future. Magaly Guerro is doing something similar at PAgan Culture with her web-serial The Haunting.
I think serialisation could really catch on. I hope so, because it’s something that interests me a lot. I’m a fan of blovels but this writing genre seems to be struggling, largely I think because of author fatigue. That remark about ‘third episode problem’ is very salient. However, if authors can persevere I think readers will come to appreciate and enjoy serials, which are well suited to the electronic reading era.
Reblogged this on Mark Nesbitt and commented:
A different approach to the “serial” format. I’ll have to ponder if this could be applied to ghost tales.
It worked well in Dickens’ day and humans haven’t changed that much since. Quality will be the key.
From a business viewpoint, I suspect Mr Bezos is reinforcing his Prime strategy of building a model that keep customers coming back, again and again and again.
Joe McNally
It’s really surprising to see an article about online serials that is unaware of the major serial community: Web Fiction Guide.
Or the primary resource on it, Novelr
It’s like TV. Having serialized fiction on my blog, I know it can be done, but the word counts are a bit arduous if you want to turn out high quaity at that rate.
Thanks for a well-rounded article. I’ve been writing an online serial with installments running from 7K – 16K words since 1997, and run the first community devoted to webserials (the EpiGuide, launched in 1998). In other words, many of us have been plugging away for years. I have no doubt Amazon and other publishing houses will find authors able to produce content at the quantity and quality they require. Whether the pay-once model is successful is a different story, not to mention the exclusivity issue. It will also be interesting to see whether *ongoing* serials — ones that aren’t designed with an end-point in mind — will also get the publicity that serialized novels are getting. Those of us with continuing content are providing a service that Amazon and other publishers should be slavering over: lucrative material that lasts for years. It’ll be interesting to see how this develops.
I’m with Kira. As an on-going serial writer (140 plus episodes @cardinalmeadows.com) I would have little interest in the pay-once model. Serial writing is real work, laboring many hours each week to put out a product that people want to read on a consistent basis. I remember reading that in India, that mobile media micro serials are starting to take off, and if I remember correctly, that it was a per-episode pay for play, albeit at a very low cost. In today’s hurried environment I think there is a real niche for serial installment-fiction considering many people with active life-styles find it nearly impossible to find the time to sit down and read a novel cover to cover, without a great deal of sacrifice in other areas of life or family.
I wonder how difficult the vetting process is. It would be interesting to know if they’re tightly controlling what type of work they place in the program, especially since it’s so new.