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	<title>paidContent &#187; Grace Helbig</title>
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	<description>The economics of digital content</description>
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		<title>paidContent &#187; Grace Helbig</title>
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		<title>YouTubers hit the big screen for documentary Please Subscribe&#8216;s theatrical release</title>
		<link>http://paidcontent.org/2013/01/27/youtubers-hit-the-big-screen-for-documentary-please-subscribes-theatrical-release/</link>
		<comments>http://paidcontent.org/2013/01/27/youtubers-hit-the-big-screen-for-documentary-please-subscribes-theatrical-release/#comments</comments>
		<pubDate>Sun, 27 Jan 2013 20:19:37 +0000</pubDate>
		<dc:creator>Liz Shannon Miller</dc:creator>
				<category><![CDATA[chill]]></category>
		<category><![CDATA[Chill Direct]]></category>
		<category><![CDATA[Dan Dodi]]></category>
		<category><![CDATA[Grace Helbig]]></category>
		<category><![CDATA[Please Subscribe]]></category>
		<category><![CDATA[Screenvision]]></category>

		<guid isPermaLink="false">http://paidcontent.org/?p=223771</guid>
		<description><![CDATA[You might not have ever anticipated going to the movies to see a documentary about YouTubers, but for one night only, fans of folk like Daily Grace and Mystery Guitar Man will have that chance.  <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=paidcontent.org&#038;blog=33319749&#038;post=223771&#038;subd=gigaompaidcontent&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
				<content:encoded><![CDATA[<p>On the surface, you wouldn&#8217;t think of YouTubers as being the most reserved of people, but talking into a webcam doesn&#8217;t necessarily reveal all your secrets. Which is why the documentary <i><a href="http://www.pleasesubscribefilm.com">Please Subscribe</a></i>, directed by Dan Dobi, aims to illuminate the realities of what it&#8217;s like to create content for the YouTube community: chasing viewer numbers, aiming for ad dollars and dealing with the basic loneliness of the job.</p>
<p>But while <i>Please Subscribe</i>&#8216;s target audience is the digital community, the film will first be seen someplace relatively unexpected: movie theaters.</p>
<span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text/html' width='604' height='370' src='http://www.youtube.com/embed/sPScAyF76oc?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0'></iframe></span>
<p>For one night only, <i>Please Subscribe</i> will be distributed theatrically, specifically, Tuesday February 5th at 7:30 PM. &#8220;Anytime you make a movie, your number one goal is to make it into theaters. So [this] is pretty cool and pretty important,&#8221; Dobi said via phone.</p>
<p>&#8220;We wanted it to be more of an event,&#8221; Dobi said about the decision to go one night only.</p>
<p>According to David Wengrod of <a href="http://www.screenvision.com/">Screenvision</a>, which is handling the theatrical distribution, <i>Please Subscribe</i> will be available in 217 theaters nation-wide, including San Francisco and New York. You can even see it in Hawaii.</p>
<p>&#8220;We have a pretty good national footprint,&#8221; Wengrod said via phone. &#8220;If we&#8217;re getting people who don&#8217;t normally go to see a movie on Tuesdays &#8212; people who normally experience stuff through their computers &#8212; then we&#8217;re a success.&#8221;</p>
<p>Following the theatrical premiere, <i>Please Subscribe</i> will be released <a href="http://chill.com/dandobi/please-subscribe">via Chill Direct on March 22</a> &#8212; Screenvision requested a 45-day window. The film will cost $7.99 for <a href="http://gigaom.com/2012/11/29/chill-direct/">a DRM-free file</a> &#8212; but it&#8217;s currently available for pre-order at $6.20, 20 percent off.</p>
<p>Grace Helbig of <i>Daily Grace</i>, one of the eight YouTubers profiled in the film, got involved because it was an opportunity to expose those who might not be familiar with the YouTube community to what. &#8220;It&#8217;s important because it&#8217;s a such huge industry and it&#8217;s growing so fast &#8212; so it&#8217;s important for people to understand what&#8217;s happening,&#8221; she said via phone.</p>
<p>&#8220;It&#8217;s a deeper and more personal perspective on what it means to be a YouTuber,&#8221; Helbig added.</p>
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			<media:title type="html">Please Subscribe documentary</media:title>
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		<title>The best of web video: 4 highlights from 2012 you should know</title>
		<link>http://gigaom.com/2012/12/30/the-best-of-web-video-4-highlights-from-2012-you-should-know/</link>
		<comments>http://gigaom.com/2012/12/30/the-best-of-web-video-4-highlights-from-2012-you-should-know/#comments</comments>
		<pubDate>Sun, 30 Dec 2012 08:57:51 +0000</pubDate>
		<dc:creator>Liz Shannon Miller</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Geek and Sundry]]></category>
		<category><![CDATA[Grace Helbig]]></category>
		<category><![CDATA[Hannah Hart]]></category>
		<category><![CDATA[Justin Lin]]></category>
		<category><![CDATA[My Damn Channel]]></category>
		<category><![CDATA[My Drunk Kitchen]]></category>
		<category><![CDATA[Tabletop]]></category>
		<category><![CDATA[the onion]]></category>
		<category><![CDATA[Wil Wheaton]]></category>
		<category><![CDATA[YOMYOMF]]></category>
		<category><![CDATA[youtube]]></category>

		<guid isPermaLink="false">http://gigaom.com/?p=597991</guid>
		<description><![CDATA[Two of the funniest women in comedy today. A channel that brought together cop show parodies and sci-fi drama. A series that created a community. And a brand that pushed the boundaries of serialized content. For those who like web video, 2012 was a great year. <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=paidcontent.org&#038;blog=33319749&#038;post=222724&#038;subd=gigaompaidcontent&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
				<content:encoded><![CDATA[<p>For web original content, 2012 was a year of important growth, as more high-end shows found their way to audiences and the business of making web video grew closer and closer to sustainability. It was an exciting year in many respects, and here are a few of the notable stories and series that might have gone overlooked.</p>
<h2 id="tabletop"><i>Tabletop</i></h2>
<p>Part of the Geek and Sundry YouTube network (along with Felicia Day&#8217;s <i><a href="http://www.youtube.com/playlist?list=PL8D3EFFBB747B9769">Flog</a></i> and the whimsical <a href="http://www.youtube.com/playlist?list=PL46BCD70F1C029AD1"><i>Written by a Kid</i></a>), <i><a href="http://www.youtube.com/playlist?list=PL4F80C7D2DC8D9B6C">Tabletop</a></i> was one of this year&#8217;s case models for the concept that <a href="http://gigaom.com/video/30-minutes-or-more-why-web-content-keeps-getting-longer/">web video audiences are ready for longer content</a>.</p>
<p>The Wil Wheaton-hosted series sat down geek celebs like Alex Albrecht, Morgan Webb, Jane Espenson, Amber Benson and Ryan Higa to play a wide range of dice, card and board games, consistently reaching six-figure viewcounts (impressive for a half-hour long show). But what I find especially cool about <i>Tabletop</i> is the gaming community that&#8217;s come out of it, showcased primarily via <a href="http://seenontabletop.tumblr.com">the Tumblr blog Seen on <i>Tabletop</i></a>, where viewers are encouraged to submit their experiences playing the games featured on the show.</p>
<p>The last new episode of <i>Tabletop</i> was posted November 1st, but &#8220;Seen on <i>Tabletop</i>&#8221; is still updating regularly: Right now, it&#8217;s flooded with posts featuring the post-Christmas gaming adventures of its fans.</p>
<span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text/html' width='604' height='370' src='http://www.youtube.com/embed/o3WJTlDa7oo?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0'></iframe></span>
<h2 id="the-onion-digital-studios">The Onion Digital Studios</h2>
<p>Some of the best unrecognized serial content this year came from an entity not necessarily known for narrative: The Onion turned out some original scripted shows this year, especially <i><a href="http://www.youtube.com/playlist?list=PL622682EF88B3C077">Sex House</a></i> and <i><a href="http://www.youtube.com/playlist?list=PL4NL9i-Fu15jdlr2KQf_lyhXl5f0PFnzF">Porkin&#8217; Across America</a></i>, that built on the brand&#8217;s reputation for comedy, but in a long-form format.</p>
<p>Both shows begin as your standard reality TV show parody &#8212; <i>Sex House</i> riffing on <i>The Real World</i>, while <i>Porkin&#8217; Across America</i> took on Guy Fieri-esque food travel series. But head writer Sam West and the creative team at the Onion take those premises down the darkest and strangest roads you can imagine, drawing funny out of the least-likely subjects, such as crack-addicted nieces, food poisoning and deadly mold. The tone is consistent with <a href="http://gigaom.com/video/the-onion-puts-a-price-on-news-from-the-future/">The Onion&#8217;s predilection towards pitch-black comedy</a>, but while the sicker your sense of humor, the more rewarding these shows are, both shows proved to be smarter and more ambitious than what came before.</p>
<p>The Onion has continued putting out more stand-alone content, such as its <i>TED Talks</i> parody series <a href="http://gigaom.com/cleantech/first-onion-talks-spoofs-compost-cars-so-awesomely/"><i>Onion Talks</i></a>. But YouTube viewcounts for <i>Sex House</i> and <i>Porkin&#8217; Across America</i> are on par or even better with those videos, so hopefully 2013 contains more of the same.</p>
<span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text/html' width='604' height='370' src='http://www.youtube.com/embed/0App7QizQCU?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0'></iframe></span>
<h2 id="yomyomf">YOMYOMF</h2>
<p>Founded by <i>Fast and the Furious</i> director Justin Lin, <a href="http://www.youtube.com/yomyomf">YOMYOMF</a> (a very-fun-to-say acronym for <a href="http://youoffendmeyouoffendmyfamily.com">You Offend Me, You Offend My Family</a>, the pop culture blog from which the channel was born) used its YouTube funding for some impressively well-produced series, ranging from the very funny <i>21 Jump Street</i> parody <i><a href="http://www.youtube.com/playlist?list=PLamdUEW_ElS7NvrXrNrcKfm370DZeYDKN">Squad 85</a></i> to the award-nominated sci-fi adventure <i><a href="http://www.youtube.com/playlist?list=PL6BF5DAE7D4915461">DR0NE</a></i>.</p>
<p><a href="http://www.slate.com/blogs/future_tense/2012/12/26/squad_85_internet_icon_yomyomf_is_the_web_s_most_diverse_tv_channel.html?utm_source=tw&amp;utm_medium=sm&amp;utm_campaign=button_chunky">This Slate piece</a> goes into detail about the network&#8217;s approach to content creation with an emphasis on diversity &#8212; I also enjoy <a href="http://www.youtube.com/watch?v=92z1C-IurE4">YOMYOMF&#8217;s epic introduction to its unique POV and impressive talent roster</a>, which includes Ryan Higa, Kevjumba, Chester See, Jamie Chung, Rick Fox, Jessica Alba, Amy Okuda, Harry Shum Jr., Gillian Jacobs, Masi Oka and many many more.</p>
<span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text/html' width='604' height='370' src='http://www.youtube.com/embed/92z1C-IurE4?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0'></iframe></span>
<h2 id="daily-grace-and-my-drunk-kitch"><i>Daily Grace</i> and <i>My Drunk Kitchen</i></h2>
<p>&#8220;Daily&#8221; Grace Helbig and Hannah &#8220;<em><a href="http://www.youtube.com/harto">My Drunk Kitchen</a></em>&#8221; Hart aren&#8217;t just two of the funniest women on the web &#8212; they&#8217;re two of the funniest women in comedy, flat out. Both bring their unique voices to their individual shows (the <i><a href="http://www.youtube.com/user/dailygrace">Daily Grace</a></i> vlog appears &#8212; surprise &#8212; daily on My Damn Channel, while Hart posts weekly on YouTube) while also spreading the love to numerous other series: Helbig co-stars in <a href="http://gigaom.com/video/youtubes-first-transmedia-sitcom-goes-above-and-beyond/">the Fine Brothers&#8217;s <i>MyMusic</i></a>, for example, while Hart was <a href="http://www.youtube.com/watch?v=gVKt44zMSOM&amp;feature=player_embedded">just interviewed by Rainn Wilson&#8217;s SoulPancake</a>.<br />
And when the two appear together, the results are almost painfully hilarious. As just one recent example, here are <a href="http://www.youtube.com/watch?v=n-R-xAQjmzU">Helbig and Hart attempting to make egg nog live</a> on <a href="http://gigaom.com/video/whats-trending-youtube-telethon/"><i>What&#8217;s Trending</i>&#8216;s #Tubeathon</a>. Note the word &#8220;attempt&#8221; in that sentence. Both Hart and Helbig broke onto the online scene prior to 2012, but it was this year that they became iconic members of the web video scene.</p>
<span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text/html' width='604' height='370' src='http://www.youtube.com/embed/n-R-xAQjmzU?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0'></iframe></span>
<p>What&#8217;s the lesson I take from all this? That this is an era that rewards collaboration and multiplatform engagement. And the people having success in the space right now are those who aren&#8217;t afraid to experiment, and perceive the brand as bigger than the individual show or shows that make it up.</p>
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