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	<title>paidContent &#187; History</title>
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		<title>Back to the future: What if the &#8216;mass media&#8217; era was just an accident of history?</title>
		<link>http://paidcontent.org/2013/05/11/back-to-the-future-what-if-the-mass-media-era-was-just-an-accident-of-history/</link>
		<comments>http://paidcontent.org/2013/05/11/back-to-the-future-what-if-the-mass-media-era-was-just-an-accident-of-history/#comments</comments>
		<pubDate>Sat, 11 May 2013 18:06:37 +0000</pubDate>
		<dc:creator>Mathew Ingram</dc:creator>
				<category><![CDATA[economist]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[Future of Media]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[newspapers]]></category>
		<category><![CDATA[social-media]]></category>
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		<guid isPermaLink="false">http://paidcontent.org/?p=229272</guid>
		<description><![CDATA[We are used to thinking of a "mass media" market made up of large newspapers and TV networks as the normal state of affairs in media, but what if that was just a historical anomaly?<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=paidcontent.org&#038;blog=33319749&#038;post=229272&#038;subd=gigaompaidcontent&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
				<content:encoded><![CDATA[<p>When it comes to the traditional media business, there is often a pervasive nostalgia for &#8220;the good old days,&#8221; when a handful of newspapers and TV networks ruled over the media landscape and profitability was so taken for granted that huge family dynasties <a href="http://www.nytimes.com/2012/09/30/nyregion/arthur-o-sulzberger-publisher-who-transformed-times-dies-at-86.html">with names like Sulzberger</a> and <a href="http://en.wikipedia.org/wiki/Bancroft_family">Bancroft</a> were built on that foundation. Many media executives no doubt dream about magically returning to such a time. But what if those days were just an illusion &#8212; a kind of accident of history? What would that mean for the future of media?</p>
<p>This idea has come up before, but I was reminded of it when I read a Nieman Journalism Lab post about <a href="http://www.niemanlab.org/2013/05/diaries-the-original-social-media-how-our-obsession-with-documenting-and-sharing-our-own-lives-is-nothing-new/">some research being done by Lee Humphreys</a>, looking at the way that communication &#8212; and particularly personal communication, through letters and diaries and other pre-digital tools of expression. Although this doesn&#8217;t seem to have much to do with how we use ultra-modern services like Twitter or Facebook, there is a lot more to it than you might think.</p>
<h2 id="media-has-always-been-personal">Media has always been personal and social</h2>
<p><a href="http://gigaompaidcontent.files.wordpress.com/2012/04/kid-playing-telephone-o.jpg"><img src="http://gigaompaidcontent.files.wordpress.com/2012/04/kid-playing-telephone-o.jpg?w=150&#038;h=97" alt="Kid playing telephone" width="150" height="97"  class="alignleft size-thumbnail wp-image-202399" /></a></p>
<p>As Humphreys describes it, her research shows that if you look at human communication over a longer period than just the past generation or two, it becomes obvious that one-way, broadcast-style &#8220;mass media&#8221; isn&#8217;t the norm at all &#8212; instead, the norm is interpersonal or multi-directional communication that shares a lot more with social media such as blogs, Twitter and Facebook. Rather than creating a new communication style, we are actually returning to one.</p>
<blockquote id="quote-humphreys-said-one-o"><p>&#8220;Humphreys said one of the early conclusions from her research is the possibility that the mass media of the 20th century was in fact a blip, a historical aberration, and that, through platforms like Twitter, we are gradually returning to a communication network that indulges, without guilt, the individual’s desire to record his existence.&#8221;</p></blockquote>
<p>For example, Humphreys says that the idea of diaries or journals as private things &#8212; which their owners hide underneath a mattress or keep in a secret place under lock and key &#8212; is a fairly new one. As recently as the late 19th century, it was common for people to read each other&#8217;s journals as a way of catching up with what they had been doing, and in many cases this was done with the author of the journal taking part in the discussion. In that sense, journals were a mix of private and public, in much the same way that social media is.</p>
<p>Although the Nieman Lab post doesn&#8217;t mention it, there was also the idea of a &#8220;commonplace book,&#8221; which was <a href="http://en.wikipedia.org/wiki/Commonplace_book">a kind of paper version of a blog</a>, a place where people would keep snatches of text or ideas that they came across, and then share that with others. Famous writers such as John Milton and Ralph Waldo Emerson kept commonplace books, and the phenomenon is seen by many as a prelude to what would become the &#8220;remix culture&#8221; of today.</p>
<h2 id="the-era-of-mass-media-is-over">The era of mass media is over</h2>
<p><a href="http://gigaom2.files.wordpress.com/2011/02/3256859352_cf35412c5f_z.png"><img src="http://gigaom2.files.wordpress.com/2011/02/3256859352_cf35412c5f_z.png?w=150&#038;h=101" alt="Social media" width="150" height="101"  class="alignleft size-thumbnail wp-image-214451" /></a></p>
<p>The idea that mass media was a kind of historical accident has been raised by others as well, including Tom Standage of <em>The Economist</em> &#8212; <a href="http://tomstandage.wordpress.com/2013/02/20/my-next-book-writing-on-the-wall/">both in his upcoming book</a>, called &#8220;Writing on the Wall,&#8221; and in a series of pieces in the magazine about the nature of digital media. The latter described how the interconnected qualities of social media and &#8220;networked journalism&#8221; <a href="http://www.economist.com/node/18904158">mirrored the way that media used to function</a> before newspapers were invented, when the local tavern or coffee house was the center of the information ecosystem. The title of his book, Standage says, also refers to:</p>
<blockquote id="quote-the-ominous-implicat2"><p>&#8220;The ominous implications of the rebirth of social media for mass-media companies that arose in the industrial era, predicated on the high cost of delivering information to large audiences. The conclusion of the book is that the mass-media era was a historical anomaly&#8230; indeed, it might better be termed the &#8216;mass-media parenthesis.&#8217;&#8221;</p></blockquote>
<p>If this is in fact what we are experiencing &#8212; that is, the unbundling or dismantling of a mass-media infrastructure <a href="http://www.techi.com/2011/03/why-big-media-was-just-a-historical-blip/">that was constructed to serve</a> the needs of readers (and advertisers) at a specific time in history &#8212; then what can we expect? Among other things, probably further downsizing and layoffs and bankruptcies of media companies <a href="http://gigaom.com/2012/09/06/newspaper-restructuring-think-steel-cars-and-airlines/">whose size and cost structure</a> and print focus no longer corresponds to the needs of the marketplace.</p>
<p>And on the positive side, we are also likely to see the growth of new entities that take advantage of the networked, social and smaller-scale nature of the media ecosystem &#8212; startups like Circa, for example, <a href="http://gigaom.com/2012/05/03/prismatic-wants-to-be-the-newspaper-for-a-digital-age/">or algorithmic players like Prismatic</a>, along with larger entities like The Huffington Post and BuzzFeed. In a very real sense, it is both the <a href="http://paidcontent.org/2013/05/09/is-it-the-best-of-times-or-the-worst-of-times-for-journalism-yes/">best of times and the worst of times</a>.</p>
<p><em>Post and thumbnail photos courtesy of <a href="http://www.shutterstock.com/gallery-11724p1.html">Shutterstock / Feng Yu</a> and Flickr user <a href="http://www.flickr.com/photos/rosauraochoa/3256859352/">Rosaura Ochoa</a></em></p>
<br />  <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=paidcontent.org&#038;blog=33319749&#038;post=229272&#038;subd=gigaompaidcontent&#038;ref=&#038;feed=1" width="1" height="1" /><p><a href="http://pubads.g.doubleclick.net/gampad/jump?iu=/1008864/PaidContent_RSS_300x250&#038;sz=300x250&#038;c=266522"><img src="http://pubads.g.doubleclick.net/gampad/ad?iu=/1008864/PaidContent_RSS_300x250&#038;sz=300x250&#038;c=266522" /></a></p>]]></content:encoded>
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		<slash:comments>12</slash:comments>
	
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			<media:title type="html">Newspaper fortune teller; newspapers&#039; future; newspapers&#039; fate; fate of newspapers</media:title>
		</media:content>

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			<media:title type="html">Mathew</media:title>
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			<media:title type="html">Kid playing telephone</media:title>
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			<media:title type="html">Social media</media:title>
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		<title>Amazon Prime Instant Video nabs the A&amp;E shows that Netflix no longer streams</title>
		<link>http://paidcontent.org/2013/01/04/amazon-nabs-the-ae-shows-that-netflix-lost/</link>
		<comments>http://paidcontent.org/2013/01/04/amazon-nabs-the-ae-shows-that-netflix-lost/#comments</comments>
		<pubDate>Fri, 04 Jan 2013 14:37:45 +0000</pubDate>
		<dc:creator>Laura Hazard Owen</dc:creator>
				<category><![CDATA[Bio]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[lifetime]]></category>

		<guid isPermaLink="false">http://paidcontent.org/?p=222919</guid>
		<description><![CDATA[Amazon has signed a licensing deal with A&#38;E to make shows from the A&#38;E, Bio, History and Lifetime channels available for streaming on Prime Instant Video, the company announced Friday. Netflix lost streaming rights to many of those shows in September.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=paidcontent.org&#038;blog=33319749&#038;post=222919&#038;subd=gigaompaidcontent&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
				<content:encoded><![CDATA[<p>Amazon has signed a licensing deal with A&amp;E to make shows from the A&amp;E, Bio, History and Lifetime channels available for streaming on Prime Instant Video, the company announced Friday. Netflix <a href="http://www.hollywoodreporter.com/news/netflix-storage-wars-american-pickers-stream-800-373022">lost streaming rights to many of those shows</a> (800 hours&#8217; worth) last September.</p>
<p>The Prime Instant Video website shows <a href="http://www.amazon.com/gp/search/ref=sr_in_-2_p_studio_1?rh=n%3A2625373011%2Cn%3A%212644981011%2Cn%3A%212644982011%2Cn%3A2858778011%2Ck%3AA%26E+Television%2Cn%3A2864549011%2Cp_studio%3AA%26E+Television+Networks&amp;bbn=2864549011&amp;keywords=A%26E+Television&amp;ie=UTF8&amp;qid=1357309581&amp;rnid=2692350011">446 A&amp;E seasons available</a>, largely reality shows like &#8220;Dance Moms,&#8221; &#8220;Hoarders,&#8221; &#8220;Project Runway,&#8221; &#8220;Storage Wars&#8221; and &#8220;Pawn Stars.&#8221; Most of them aren&#8217;t available through Netflix streaming, though Netflix retains some older Biography shows.</p>
<p>Amazon Prime Instant Video is available to Prime members who pay $79 a year for unlimited two-day shipping and other perks. The company says Prime Instant Video now includes over 33,000 movies and TV episodes, while Netflix has an estimated 60,000 streaming movies and episodes.</p>
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		<slash:comments>8</slash:comments>
	
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